Journal
Journal
Why a feature film’s genga count isn’t just runtime × episode rate
A two-hour film and five TV episodes cover the same runtime, but rarely the same drawing count.
Journal
Reading an exposure sheet
The document that tells the camera — real or digital — exactly which drawing to hold, and for how long.
Journal
What “satsuei” actually means now
The compositing stage is still called "photography" for a reason that no longer applies.
Journal
The genga-douga handoff, and why it’s the biggest headcount on a production
A key animator draws the extremes of a movement. An inbetween animator draws everything in between them.
Journal
Why most of a show runs on twos
On ones is not simply "better" — it is a cost decision made per cut, not per series.
Journal
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